Honors Projects
Showing 1 - 3 of 3 Items
A Comparative Perspective on Colonial Influence in the Effectiveness of Foreign Aid in South Korea and Algeria
Date: 2021-01-01
Creator: Viv Daniel
Access: Open access
- South Korea and Algeria are both formerly colonized nations with a history of dependence on foreign aid. Their former colonizers, Japan and France respectively, collaborated closely throughout the late 19th and early 20th centuries. However, despite colonial linkages and similarities in early developmental trajectories, South Korea has grown into a donating member of the OECD and one of the world’s largest economies, while Algeria continues to struggle both economically and politically. This paper engages existing literature on postcolonial development and foreign aid by arguing that the attitudes towards colonization and the motivations for undertaking it on the part of colonial powers can have as large an impact on the success of foreign aid as the endogenous circumstances of the states receiving such aid.
The Scars of War: The Demonic Mother as a Conduit for Expressing Victimization, Collective Guilt, and Forgiveness in Postwar Japanese Film, 1949-1964
Date: 2017-05-01
Creator: Sophia Walker
Access: Open access
- Contemporary American viewers are familiar with the vengeful and terrifying ghost women of recent J-Horror films such as Ringu (Nakata Hideo, 1998) and Ju-On (Shimizu Takashi, 2002). Yet in Japanese theater and literature, the threatening ghost woman has a long history, beginning with the neglected Lady Rokujo in Lady Murasaki’s 11th century novel The Tale of Genji, who possesses and kills her rivals. Throughout history, the Japanese ghost mother is hideous and pitiful, worthy of fear as well as sympathy, traits that authors and filmmakers across the centuries have exploited. This project puts together four films that have never before been discussed together -- Kinoshita Keisuke's Shinsaku Yotsuya Kaidan (1949), Nakagawa Nobuo's Tokaido Yotsuya Kaidan (1959) Mizoguchi Kenji's Ugetsu (1953), and Shindo Kaneto's Onibaba (1964) -- and discusses them as four different iterations of the demonic mother motif, presented as a projection of the Japanese collective’s postwar uncertainty over both the memory of suffering during World War II and the question of personal culpability.
The Lay Judge System: Following a Tradition of Maintaining the Status Quo or Forging a Path Towards More Reformation of the Justice System? Access to this record is restricted to members of the Bowdoin community. Log in here to view.
Date: 2015-05-01
Creator: Alexandra Mathieu
Access: Access restricted to the Bowdoin Community