Honors Projects
Showing 1 - 3 of 3 Items
Una Comprensione Computazionale della Psiche Emotiva e Ordine nelle Ballate del Decameron: Stilometria e Elaborazione del Linguaggio Naturale
Date: 2023-01-01
Creator: Nothando Khumalo
Access: Open access
- The present thesis, written in Italian, explores the emotional psyche and narrative order embedded within the ballads of the Decameron, a renowned literary masterpiece by Giovanni Boccaccio. Leveraging the advancements in stylometry and natural language processing techniques, this research aims to convince medieval Italian literature scholars to produce more on scholarship of the ballads and uncover the intricate patterns of human emotions and narrative organization in the ballads. The study begins by establishing a comprehensive corpus of ballads from the Decameron, utilizing digital libraries and text repositories. Subsequently, using stylometric analysis, the research examines the linguistic and stylistic features that distinguish the brigata’s ballads, focusing on elements such as vocabulary, syntax, and rhyme scheme. These analyses enable the identification of authorial patterns, shedding light on the emotional expressions and narrative techniques employed by Boccaccio. A natural language processing model was used to predict authorship of the ballads using each of the brigata’s novelle as training data. The findings of this research contribute to a deeper understanding of the emotional and narrative purpose of the Decameron's ballads. Results of stylometric analysis allowed for new characterization of Panfilo’s ballad as sad and revealed how similarity in the emotional psyches of the brigata transcends gender. These novel perspectives allowed for unique literary analysis of the ballads. Accurate prediction of ballad authorship demonstrates that ballads fit into the narrative structure of the Decameron and restore order in each of the ten days.
Who We Are: Incarcerated Students and the New Prison Literature, 1995-2010
Date: 2013-05-01
Creator: Reilly Hannah N Lorastein
Access: Open access
- This project focuses on American prison writings from the late 1990s to the 2000s. Much has been written about American prison intellectuals such as Malcolm X, George Jackson, Eldridge Cleaver, and Angela Davis, who wrote as active participants in black and brown freedom movements in the United States. However the new prison literature that has emerged over the past two decades through higher education programs within prisons has received little to no attention. This study provides a more nuanced view of the steadily growing silent population in the United States through close readings of Openline, an inter-disciplinary journal featuring poetry, essays, fiction, and visual art created by incarcerated students enrolled in the College Program at San Quentin State Prison. By engaging the first person perspective of the incarcerated subject, this project will reveal how incarcerated individuals describe themselves, how they maintain and create intimate relationships from behind bars, and their critiques of the criminal justice system. From these readings, the project outlines conventions of “the incarcerated experience” as a subject position, with an eye toward further research analyzing the intersection of one's “incarcerated status” with one’s race, class, gender, and sexuality.
"Proud Flesh and Blood": Phineas Fletcher, Gabriel Daniel, and Seventeenth-Century Theories of Embodiment
Date: 2022-01-01
Creator: Micaela Elanor Simeone
Access: Open access
- The human body was a site of discovery and redefinition in early modern Europe. This project traces the gradual arc from the mid-seventeenth century towards Cartesian notions of the body in the later part of the century through two fictions: Phineas Fletcher (1582-1650)’s The Purple Island (1633) and Gabriel Daniel (1649-1728)’s Voyage du Monde de Descartes (1690). This project views these two largely-overlooked texts as important literary works that represent the seventeenth century’s transformative debates about and explorations of the human body. I argue that Fletcher employs a dissective mode that embraces mind-body harmony while framing the human as both fragmented and whole. I then explore how Voyage du Monde de Descartes responds to an altogether different culture in the late seventeenth century, after Cartesian ideas extracted mind from body and no longer saw the body as a significant marker of humanity. I argue that Voyage ultimately reveals—through a captivating satirical fiction—how understanding Cartesian anatomy as the product of anxiety, uncertainty, and novelty helps us better see how we became motivated to transcend our bodies.