Showing 1281 - 1290 of 5709 Items
Origin of Rhyolite from Magma Mush: Plutonic Lithics from the Ohakuri Ignimbrite, Taupō Volcanic Zone, New Zealand This record is embargoed.
- Embargo End Date: 2027-05-15
Date: 2024-01-01
Creator: Christine Reimer
Access: Embargoed
Policy Making, Decision Making, and Advocacy: The U.S. Asylum System Since 9/11
Date: 2024-01-01
Creator: Clara Jergins
Access: Open access
- Immigration justice advocates and immigration restrictionists alike are unhappy with the way that the U.S. asylum system functions. This project seeks to develop a better understanding of policy changes and the politicized influence of the president and executive authorities over the asylum system since 9/11—in particular, these individuals’ ability to implement their policy preferences through the hiring and instruction of Asylum Officers and Immigration Judges. Through case studies of nonprofit organizations, it identifies the key points in the asylum process where asylum has been restricted, and the ways in which these restrictions can be responded to. On the basis of these factors, this project identifies four key changes, made by Congress, through which the asylum system could be improved: the establishment of an Article I immigration court, encoded testimonial and credibility standards, universal representation, and an end to asylum seeker detention. These changes are asserted to depoliticize the asylum process and to create a stable asylum system in which those that should qualify for asylum do qualify.
Fall forward, spring back: Drivers of synchrony in the sea star crawl-bounce gait transition
Date: 2024-01-01
Creator: Brady R Nichols
Access: Open access
- The Froude number is the ratio of kinetic energy to gravitational potential energy used during locomotion and is often used to analyze gait transitions. Here, I compare and contrast the human walk-run gait transition, which occurs at a consistent Froude number of 1 because there exists a mechanical speed limit to walking, and the sea star crawl-bounce gait transition, which occurs around Froude numbers of 1*10^-3. In this thesis I investigate why sea stars exhibit two gaits despite lacking brains and moving at Froude numbers far below other known gait transitions, hypothesizing (1) that the crawl-bounce transition may be mechanical and thus still depends on the Froude number, and (2) that the crawl-bounce transition is best modeled gradually compared to the instantaneous human walk-run transition. Thirty sea stars were filmed and the resulting kinematic data is used here to inform thinking about the crawl-bounce transition. I first discuss damped driven harmonic motion of a single oscillator, but eventually turn to using coupled oscillators and deriving that a coupling constant between metronomes on a moving base is the Froude number, which is therefore relevant for the crawl-bounce transition. I lastly discuss a purely mathematical analogue of the crawl-bounce transition as a Hopf bifurcation in horizontal speed and vertical velocity phase space, which leads to a rough model with results qualitatively similar to observed kinematic data from films, and indicates that a gradual transition is in fact a good fit for the crawl-bounce transition.
DS-PSO: Particle Swarm Optimization with Dynamic and Static Topologies
Date: 2017-05-01
Creator: Dominick Sanchez
Access: Open access
- Particle Swarm Optimization (PSO) is often used for optimization problems due to its speed and relative simplicity. Unfortunately, like many optimization algorithms, PSO may potentially converge too early on local optima. Using multiple neighborhoods alleviates this problem to a certain extent, although premature convergence is still a concern. Using dynamic topologies, as opposed to static neighborhoods, can encourage exploration of the search space at the cost of exploitation. We propose a new version of PSO, Dynamic-Static PSO (DS-PSO) that assigns multiple neighborhoods to each particle. By using both dynamic and static topologies, DS-PSO encourages exploration, while also exploiting existing knowledge about the search space. While DS-PSO does not outperform other PSO variants on all benchmark functions we tested, its performance on several functions is substantially better than other variants.
Jigs, Reels, and “Realness”: An Investigation of Ideas of Authenticity and Tradition in New England French Canadian Music
Date: 2021-01-01
Creator: Lowell Ruck
Access: Open access
- Franco-American culture is increasingly recognized as an integral part of the heritage of Maine and New England, and has attracted growing academic attention in recent years. But while many scholars and cultural promoters focus on the French language in their work on this subject, few studies have considered the position of traditional music in Franco-American communities in the 21st century. This thesis examines French Canadian traditional music as it is played in New England and the ways in which musicians think about authenticity and tradition in their art. Using material from ethnographic interviews, it illuminates how musicians draw from individual, familial, and communal experiences and from past, present, and future conceptions of authentic tradition in their roles as cultural mediators. Ultimately, it suggests that players of French Canadian traditional music interact with this tradition in diverse ways, and that in doing so, they help to maintain the vibrancy of Franco-American cultural practices. La culture franco-américaine est reconnue de plus en plus comme partie intégrante de l’héritage du Maine et de la Nouvelle-Angleterre et attire maintenant l’attention académique. Mais même si beaucoup d’érudits et de promoteurs culturels ciblent la langue française dans leur travail sur ce sujet, peu d’études ont considéré la position de la musique traditionnelle dans les communautés franco-américaines du XXIe siècle. Cette thèse se concentre sur la musique traditionnelle canadienne-française de la Nouvelle-Angleterre et sur les façons dont les musiciens conceptualisent l’authenticité et la tradition dans leur art. En utilisant des entrevues ethnographiques, elle illumine comment les musiciens tirent des expériences individuelles, familiales et communautaires et des idées du passé, du présent et de l’avenir dans leurs rôles comme médiateurs culturels. Finalement, elle suggère que les joueurs de la musique traditionnelle canadienne-française interagissent avec cette tradition de plusieurs façons, et ce faisant, aident à maintenir la brillance des pratiques culturelles franco-américaines.