Showing 1 - 50 of 64 Items

Date: 2014-01-01

Creator: David A Collings

Access: Open access

This book argues that climate change has a devastating effect on how we think about the future. Once several positive feedback loops in Earth’s dynamic systems, such as the melting of the Arctic icecap or the drying of the Amazon, cross the point of no return, the biosphere is likely to undergo severe and irreversible warming. Nearly everything we do is premised on the assumption that the world we know will endure into the future and provide a sustaining context for our activities. But today the future of a viable biosphere, and thus the purpose of our present activities, is put into question. A disappearing future leads to a broken present, a strange incoherence in the feel of everyday life. We thus face the unprecedented challenge of salvaging a basis for our lives today. That basis, this book argues, may be found in our capacity to assume an infinite responsibility for ecological disaster and, like the biblical Job, to respond with awe to the alien voice that speaks from the whirlwind. By owning disaster and accepting our small place within the inhuman forces of the biosphere, we may discover how to live with responsibility and serenity whatever may come. (Publisher's Description) Freely available online at https://quod.lib.umich.edu/o/ohp/12832550.0001.001.

Date: 2022-01-01

Creator: Ella Marie Schmidt

Access: Open access

I wrote Divinity School, an Honors Project for the Department of English, under the auspices of my project advisor, Professor Anthony Walton, and my readers, Professors Marilyn Reizbaum, Ann Kibbie, and Aaron Kitch. Divinity School is a novel whose conflicts are religious, generational, and familial. Set mostly in Hoboken, New Jersey with vignettes in Manhattan, Vienna, the west coast of Ireland, and an anonymous New England college town, it is the story of one family and the open secrets that keep them apart. Hal Macpherson is a Divinity School professor uged into premature retirement by allegations of misconduct; his wife, Annie Price, is a withdrawn would-be actress. They are parents to Amelia Macpherson, a woman in her twenties who rejects her father’s righteous claims of innocence and her mother’s exhausted but unwavering devotion to him. This project is concerned with sex and pedagogy, youth, want-it-all politcs, parenthood, getting old, Protestantism, and domestic life. Using third-person free indirect style, I traverse the public-private planes of literature. As an undergraduate at Bowdoin College, I have enjoyed the privilege of a great English education in literature, creative writing, and independent work. Divinity School is the culmination of these studies.

Date: 2023-01-01

Creator: Josh-Pablo Manish Patel

Access: Open access

This project extends reparative reading practices to recent Asian American memoirs, specifically trauma memoirs from the past five years (2018-2022) that detail personal trauma and communal, intergenerational trauma. Reparative reading is explored within five memoirs: Stephanie Foo’s What My Bones Know (2022), Esmé Weijun Wang’s The Collected Schizophrenias (2019), Phuc Tran’s Sigh, Gone (2020), Cathy Park Hong’s Minor Feelings (2020), and Nicole Chung’s All You Can Ever Know (2018). In considering the reparative turn in Asian American memoirs, this thesis draws on and extends Eve Kosofsky Sedgwick’s reparative frameworks and bell hooks’ theories on pedagogy and love. A critical analysis of self-writings through pre-existing reparative reading models alongside traditional Asian American scholarship on racial melancholia resists the monopolistic dominance of overwhelming negative affects (such as shame, guilt, and anger) that saturate Asian American lives and life-writing. Instead, this alternative interpretative practice exposes how authors seek love, pleasure, and positivity within their texts and within their own lives, while also exploring the methods through which the memoirists themselves embody the reparative in writing and self-analysis. Thus, shaping the reparative turn for Asian America illuminates the productive ways reshaped methods of writing and criticism, and its resultant ethics of living, can push back against lived racial oppression and pain as well as decades of cultural erasure and intergenerational trauma. This varied engagement with love-based and reparative frameworks allows Asian American authors to begin healing from trauma, and this is evidenced through non-traditional psychiatric healing methods, literary methods, and strategies of communal formation.

Date: 2020-01-01

Creator: Emma Bezilla

Access: Access restricted to the Bowdoin Community

Date: 2020-01-01

Creator: Benjamin Bousquet

Access: Open access

Human Today, Posthuman Tomorrow explores the relationship between the human and the nonhuman in Margaret Atwood’s MaddAddam trilogy through the lens of posthuman theory. Atwood’s trilogy depicts a dystopian, anthropocentric world that hinges upon an apocalyptic, man-made epidemic known as the Waterless Flood. Through posthuman theory, this thesis looks at ways to reconcile the oppositional and hierarchical relationship between the human and the nonhuman. The thesis is split into three main chapters, each of which engages a different posthuman theory. The first chapter addresses the concept of hybridity as it is elaborated by Rosi Braidotti’s The Posthuman. Next, the thesis turns to Donna Haraway’s “The Companion Species Manifesto” to address the ways human-animal relations in the trilogy are imagined as mutual and non-hierarchical. The last chapter turns to the pigoon/human relationship through Gilles Deleuze and Félix Guattari’s concept of becoming to understand the ways in which humans and pigoons build a new, non-oppositional relationship. In all, this thesis works to understand the stakes of the trilogy through posthumanism to argue that only through a posthuman understanding of the world are we able to erode oppositional differences between humans and nonhumans and create a future inhabitable for all.

Date: 2023-01-01

Creator: Catherine Crouch

Access: Access restricted to the Bowdoin Community

Date: 2023-01-01

Creator: Natsumi Lynne Meyer

Access: Open access

I think it started in December 2017, when my Mama sent me to Japan to take care of my grandparents, Baba and Jiji, alone. I had been to Japan almost every year since I was eleven years old, and several times before that too, but this was my first time without Mama. When Mama was there, Japan was filtered through her. I could poke bits of myself through her editing and approval. I could read street signs because of the way she read them, and I could understand my grandparents’ sighs from the timbre of her translation. That December, though, I had to see and hear alone. The tiny shakes in Baba’s legs and the indentation in Jiji’s forehead from when he fell down the stairs crystallized in my memory, and I had to write about it. This project includes a series of creative nonfiction and fiction pieces centered around telling my family stories. Writing from interviews, observations, and generational memories, I weave together these story fragments to discuss Asian American identity and immigration, WWII trauma, aging, and inheritance.

Date: 2023-01-01

Creator: Jack McDermott Wellschlager

Access: Open access

My project concerns the pedagogical nature of James Joyce’s Ulysses. Across the various styles and forms of Ulysses’ chapters, or “episodes,” I theorize the pedagogy of James Joyce’s prose by tracking the ways that the text demands readers participate in a Freirean dialogue. I will also discuss how Ulysses understands language as a practice of resistance: the novel’s characters have personal linguistic practices that help them open up the worlds that occupy them. I will appreciate the control these characters take of their world as I argue, through Paulo Freire’s work, that no true change occurs without the presence of a cooperative worldbuilding effort.

Date: 2025-01-01

Creator: Elana Sheinkopf

Access: Open access

Date: 2009-01-01

Creator: Aviva Briefel

Access: Open access

Date: 2021-01-01

Creator: David Collings

Access: Open access

Date: 2020-01-01

Creator: Jack Tarlton

Access: Access restricted to the Bowdoin Community

Date: 2021-01-01

Creator: Mitchel Jurasek

Access: Open access

Through the analysis of two contemporary conversion therapy novels in North America, this project explores the intersections of biopolitics (specifically camp theory), queer theory, ecocriticism, and YA literature. Emily Danforth’s The Miseducation of Cameron Post and Nick White’s How to Survive a Summer are paired with scholars such as Gilles Deleuze, Felix Guattari, Joshua Whitehead, Greta Gaard, Hannah Arendt, Giorgio Agamben, Claudio Minca, Catriona Sandilands, Luce Irigaray, and Michael Marder to create a complex and intricate understanding of how ecologies impact queer youths’ experience in conversion therapy camps. The effect of such an intersectional and ecological understanding of queer becomings creates a foundation for further discovery and offers examples for current and future people to find mutual liberation with the ecologies we exist in.

• Embargo End Date: 2028-05-18

Date: 2023-01-01

Creator: Halina E. Bennet

Access: Embargoed

• Embargo End Date: 2025-05-19

Date: 2022-01-01

Creator: Andrew MacGregor Nicholson

Access: Embargoed

Date: 2022-01-01

Creator: Grace Monaghan

Access: Open access

This project examines Victorian England through the analysis of three Victorian gothic novels: Bram Stoker’s Dracula (1897) and The Jewel of Seven Stars (1903/1912), and Richard Marsh’s The Beetle (1897). The end of the nineteenth century and the final years of the Victorian era brought with them fears and uncertainties about England’s role in the world and its future, fears that the Victorian gothic sought to grapple with, but inevitably failed to contain. In examining this genre, I draw on “Undisciplining Victorian Studies” (Chatterjee et al, 2020), which calls for the field of Victorian studies to center racial theory. As such, I foreground race and whiteness in these novels, in conjunction with animality, empire, and sexuality, all of which were crucial tools in the imperial gothic’s project of constructing the monstrous Other. The British empire relied on the establishment of a physical and moral boundary between itself and the colonized Other, in order to justify its imperialism and maintain its own perceived superiority. Yet, ultimately, this project demonstrates that the boundaries between the self and the Other, between morality and monstrosity, and between mainland England and its empire, were dangerously porous.

Date: 2025-01-01

Creator: Catherine Mose

Access: Open access

This paper examines three works of animal-based fiction published within the last decade that all center on hypothetical forms of animals with a focus on decentering anthropocentric narratives of how much agency an animal is allowed to have in a human-centric narrative without engaging in anthropmorphism. By comparing the books with theory from the academic field of animal studies, older works of animal-based fiction, and historical debates surrounding the depiction of real-world animals in writing, I aim to interrogate the methods these authors use to decouple their animals' agency from anthropomorphism, and the ways in which this shift allows anthropocentrism to take new forms rather than be eradicated.

• Embargo End Date: 2025-05-14

Date: 2020-01-01

Creator: Samuel Milligan

Access: Embargoed

Date: 2020-01-01

Creator: Sophie Friedman

Access: Open access

This two-chapter project applies formalist and feminist thinking to the thirty-line description of the Wife of Bath in Geoffrey Chaucer’s medieval, British work The Canterbury Tales. It is an interdisciplinary project; it studies how to read and teach Chaucer at the secondary level based off of these two approaches. In this formalist chapter, I study narrative voice, rhyme, irony, and ekphrasis, writing about the history and function of each of those tools and their role in the passage. I argue that the formalist close reading approach is an excellent teaching tool that generates thorough, rigorous, and joyful reading. In this feminist chapter, I compile a critical literary history of scholarly feminist and pre-feminist engagement with the passage over time. I read into an underlying genotype text, arguing that the Wife of Bath was a female entrepreneur who used textiles as a means of social, professional, and aesthetic expression and empowerment. Then I advocate for a feminist ethical teaching approach—one where we use the text as a non-ethical space in which to explore ethical questions surrounding gender. Ultimately, I argue that feminist and formalist approaches are interdependent and complementary; for both reading and teaching Chaucer, they stand stronger together.

Date: 2023-01-01

Creator: Philip Carl Bonanno

Access: Open access

This project explores fiction from white authors in the Southern Renaissance, specifically William Faulkner, Flannery O’Connor, and Carson McCullers. By examining their work alongside some of the performers that appeared historically in freak shows of the South, chapter one investigates how physically enfreaked individuals (usually phenotypically white) have access to power and the powers of whiteness. Chapter 2 interrogates how the South pathologizes promiscuity as mental illness with words such as moronic or feeble-mindedness, and the ramifications it has for the stratification on class divides among Southern elites and “White Trash.” The chapter seeks to answer the question of why, for a short period in the 1940s, white women were more likely to be punished with forced sterilization than Black women. Chapter 3 uncovers the rhetorical agency used by Benjy in Faulkner’s The Sound and the Fury, looking at how he resists the powers of whiteness through crip time and his trauma responses to his family that seeks to reinsert the Antebellum South. Using an intersectional approach of critical whiteness studies, disability studies, crip theory, and queer theory, relies on a variety of scholars including, but not limited to; David Mitchell and Sharon Snyder, Rosemarie Garland-Thompson, Richard Dyer, Matt Wray, Jasbir Puar, Ellen Samuels, and Allison Kafer. The primary works examined include promotional materials of historical freaks, McCullers’ The Ballad of a Sad Café, William Faulkner’s The Hamlet and The Sound and the Fury, and Flannery O’Connor short stories “Good Country People” and “A Temple of the Holy Ghost.”

• Embargo End Date: 2027-05-19

Date: 2022-01-01

Creator: Clayton James Wackerman

Access: Embargoed

Date: 2024-01-01

Creator: Mei Bock

Access: Open access

A collection of poems exploring threads including the Lower East Side, immigration, stray animals, art, and Chinese-American identity.

Date: 2018-05-01

Creator: Sarah Claudia Bonanno

Access: Open access

Date: 2025-01-01

Creator: Jiahn Son

Access: Access restricted to the Bowdoin Community

Date: 2021-01-01

Creator: Hallowell Lyne

Access: Access restricted to the Bowdoin Community

Date: 2015-05-01

Creator: Elisabeth A Strayer

Access: Access restricted to the Bowdoin Community

Date: 2021-01-01

Creator: Alicia Echavarria

Access: Access restricted to the Bowdoin Community

Date: 2022-01-01

Creator: Miranda Viederman

Access: Open access

The aim of this Honors project is to investigate representations of female virginity in Renaissance English dramatic works. I view the period as one in which the womb became the site of a unique renewal of cultural anxieties surrounding the stability of the patriarchy and the inaccessibility of female sexual desire. I am most interested in virginity as a “bodily narrative” dependent on the construction and maintenance of performance. I analyze representations of virginity in female characters from four works of drama originating in the Jacobean period of the English Renaissance, during and after the end of the reign of Elizabeth I, the Virgin Queen. Across four chapters, I examine the characters of Isabella from Shakespeare’s Measure for Measure (1604), Beatrice-Joanna from Thomas Middleton’s The Changeling (1622), the Jailer’s Daughter from Shakespeare and Fletcher’s The Two Noble Kinsmen (1634), and Helen from Shakespeare’s All’s Well That Ends Well (c. 1602-1605). To establish a framework for my readings, I situate each work in its contemporary cultural context, drawing upon Catholic and Protestant religious doctrines, period medical texts, and popular culture. I intend to explore the complex, often contradictory nature of the forms of virginity the plays depict. Still, I hope by uncovering the opportunities these four characters are provided by their virginity, that I can widen the confines of the category.

Date: 2021-01-01

Creator: Lily Anna Fullam

Access: Access restricted to the Bowdoin Community

Date: 2024-01-01

Creator: Hannah Kim

Date: 2025-01-01

Creator: Isabelle Sungsil Lee

Access: Open access

Date: 2025-01-01

Creator: Maya Juliette Le

Access: Open access

Date: 2019-10-01

Creator: Belinda Kong

Access: Open access

This essay deploys the concept of pandemic as a set of discursive relations rather than a neutral description of a natural phenomenon, arguing that pandemic discourse is a product of layered histories of power that in turn reproduces myriad forms of imperial and racial power in the new millennium. The essay aims to denaturalize the idea of infectious disease by reframing it as an assemblage of multiple histories of American geopower and biopower from the Cold War to the War on Terror. In particular, Asia and Asian bodies have been targeted by US discourses of infection and biosecurity as frontiers of bioterrorism and the diseased other. A contemporary example of this bioorientalism can be seen around the 2003 SARS epidemic, in which global discourses projected the source of contagion onto Asia and Asians. Pandemic as method can thus serve as a theoretical pathway for examining cultural concatenations of orientalism and biopower.

Date: 2019-05-01

Creator: Andrew McGowan

Access: Open access

Date: 2020-01-01

Creator: Jack Rodgers

Access: Open access

This project explores the convergence of futurity and ethics through an examination of key figures in modernist literature. It studies works by Virginia Woolf, Marcel Proust, and James Joyce in order to conceptualize an encounter with the future which goes beyond a traditionally linear and teleological model of time, setting out to reimagine the role of both temporality and ethics in novels including Orlando, Mrs. Dalloway, In Search of Lost Time, and Ulysses. Key facets of this exploration, which is metaphorized and guided by the image of a window, include temporal otherness, transgression and fracturing of the self (primarily understood through the paradoxical experience of dying), and the arrival of the future into the present. Major theoretical influences include queer theory, poststructuralism, and anti-dialectics. Ultimately, the project makes the case that it is possible to construct a modernist ethics which embraces the messianic potential of absences, blanks, and blind spots, a proposition made possible by our encounter with an incomprehensible yet imminent fragment of the future out of place in the present. At the close, it suggests an ethical imperative towards “affirmative negation”—a messianic, annunciatory, affirmation of that which is missing or omitted.

• Embargo End Date: 2026-05-20

Date: 2021-01-01

Creator: Mishal Kazmi

Access: Embargoed

Date: 2022-01-01

Creator: Micaela Elanor Simeone

Access: Open access

The human body was a site of discovery and redefinition in early modern Europe. This project traces the gradual arc from the mid-seventeenth century towards Cartesian notions of the body in the later part of the century through two fictions: Phineas Fletcher (1582-1650)’s The Purple Island (1633) and Gabriel Daniel (1649-1728)’s Voyage du Monde de Descartes (1690). This project views these two largely-overlooked texts as important literary works that represent the seventeenth century’s transformative debates about and explorations of the human body. I argue that Fletcher employs a dissective mode that embraces mind-body harmony while framing the human as both fragmented and whole. I then explore how Voyage du Monde de Descartes responds to an altogether different culture in the late seventeenth century, after Cartesian ideas extracted mind from body and no longer saw the body as a significant marker of humanity. I argue that Voyage ultimately reveals—through a captivating satirical fiction—how understanding Cartesian anatomy as the product of anxiety, uncertainty, and novelty helps us better see how we became motivated to transcend our bodies.

• Embargo End Date: 2026-05-20

Date: 2021-01-01

Creator: Lianna Harrington

Access: Embargoed

Date: 2022-01-01

Creator: Kyubin Kim

Access: Open access

In 2019, Korean American writer Cathy Park Hong published her memoir Minor Feelings: An Asian American Reckoning in the midst of a turning point in Asian American politics. Hong describes minor feelings as “emotions that are negative, dysphoric, and therefore untelegenic, built from the sediments of everyday racial experience and the irritant of having one’s perception of reality constantly questioned or dismissed.” Used as a concept to summate the Asian American experience in white America as living in a country where one’s reality is constantly questioned and made invisible, minor feelings forges an affective framework to study minoritized, diasporic literature. My project enriches Hong’s “minor feelings” by studying Korean American literature through a transnational and multimedia lens, considering how Korea’s colonial history and nation-building play roles in emoting Korean American self-realities. I structurally model my project after Sianne Ngai’s Ugly Feelings, split into four chapters, each focusing on one affect: shame, anger, han, and love. My project follows and documents the contemporary shifts occurring in Korean Americana, in how they perceive collective racial and diasporic identity, the intersectionality of layered identities, and the younger generations’ call for coalition. Since Korean American affects often are studied as an afterthought to Korean affects, my project retains a focus on the Korean American experience, recentering members of a diaspora whose globalizing homeland’s triumphs may eclipse their minor, invisible realities in America.

• Embargo End Date: 2027-05-16

Date: 2024-01-01

Creator: Tess Davis

Access: Embargoed

Date: 2016-05-01

Creator: Jesse Ortiz

Access: Open access

Increasingly, David Foster Wallace is becoming a cult figure among literary enthusiasts. His novels, essays, and short stories are all known for their poignant critiques of modern culture. Since his 2008 suicide, Wallace’s name has come to represent a way of thinking that rejects – and perhaps transcends – the hegemonic power of late capitalism. Wallace had a problem with pleasure. His writing often seemed to deflate or deconstruct what many people enjoy. For him, so much was “supposedly fun.” To understand Wallace’s relationship with pleasure, we must see how pleasure incorporates aesthetics and consumption. Wallace takes issue with the pleasure that comes from the aesthetics of cultural commodities. Irony produces pleasure, which turns culture into a desirable commodity. In my first chapter, I argue that Wallace’s essays challenge aesthetic pleasure by deconstructing self-reflexive irony. In his descriptions of consumer culture, Wallace evokes the feeling of disgust to undo the aesthetic pleasure of consumption. In my second chapter, I move to Infinite Jest to show how Wallace engages with irony while using it to exceed aesthetic pleasure. Infinite Jest challenges the hierarchy of aesthetics and suggests that deformity and waste can be beautiful and important. Infinite Jest demonstrates that, by trusting others instead of pursuing aesthetic ideals, people can build communities that are more honest and fulfilling than the pleasure of consumption.

Date: 2023-01-01

Creator: Zoë Ellis Wilson

Access: Access restricted to the Bowdoin Community

• Embargo End Date: 2025-05-14

Date: 2020-01-01

Creator: Nathan Osiason Blum

Access: Embargoed

Date: 2022-01-01

Creator: Ella Pearl Crabtree

Access: Open access

“‘Possessive Gentleness’: Insecure Attachments in American Literature” applies psychological attachment theory to works of American Literature. Each novel examined—Uncle Tom’s Cabin (1851), Dred: A Tale of the Dismal Swamp (1856), and The Minister’s Wooing (1859) by Harriet Beecher Stowe, The Third Generation (1954) by Chester Himes, and The Bluest Eye (1970) by Toni Morrison—describes the forces behind insecure attachment relationships between child characters and their caregivers. The first chapter of this project focuses on Stowe’s anti-slavery novels. It argues that the institution of slavery is in conflict with Christianity in these works, because it impedes disinterestedly benevolent mothering and disrupts secure attachments. The second chapter analyzes The Third Generation, and suggests that colorism in the black community is the cause of insecure attachments in Himes’ work. The third and final chapter examines The Bluest Eye, and presents sympathy, as embodied by the novel’s narrator, as a potential remedy for insecure parent-child attachments. Together, these texts elucidate how societal forces (e.g. colorism, poverty) intrude upon the family structure and destabilize parent-child attachments. Optimistically, however, they also suggest that improved parent-child attachments might function as a vehicle of broader social change.

• Restriction End Date: 2026-06-01

Date: 2021-01-01

Creator: Aida Muratoglu

Access: Access restricted to the Bowdoin Community

Date: 2021-01-01

Creator: Claire M Burns

Access: Open access

This project considers how the novels of contemporary Scottish author Ali Smith work to destabilize traditional constructions of temporal, formal, national, and gender borders. The motifs of the border and the border identity have been thematically pervasive in Scottish literary history, as reflected in the recurrence of the Scottish split identity. This thesis explores how the borders that have become essential to the construction of Scottish national literature, often relying on binaristic categorizations, have been disestablished in the contemporary era. Ali Smith’s novels, particularly the novels of her seasonal quartet, introduce forms and figures that highlight the instability of many of these borders, challenging fixed representations of the border identity. Through this focus on Scotland, Smith constructs a template for a consideration of national identity beyond the boundaries of Scotland, extending toward a more global sensibility.

• Embargo End Date: 2026-05-18

Date: 2023-01-01

Creator: Lily Randall

Access: Embargoed

Date: 2023-01-01

Creator: Jane L. Godiner

Access: Open access

"Invisible Ailments" is a collection of short stories that trace the depth, breath, and sweeping range of lived experiences of people struggling with mental illness. While it is a work of fiction, the people in these stories might feel eerily familiar — to your friends, your family members, your loved ones, or, if you're brave enough to admit it, yourself.

• Embargo End Date: 2026-05-18

Date: 2023-01-01

Creator: Andrew YH Chang

Access: Embargoed

Date: 2017-05-01

Creator: Savannah Blake Horton

Access: Open access

This is What You Want: Stories is a collection of nine stories exploring the role of humor in dark situations. It is a work of fiction.